Lista utworów:
All Blues (John Coltrane, Miles Davis) Billie's Bounce (Bill's Bounce) (Charlie Parker) Blue In Green (Miles Davis) Freddie Freeloader (Miles Davis) So What (Metallica, Miles Davis)

Spis treści:
Modes & modal frameworks Modes bright to dark Major, minor or modal? Modal melodic examples When is it modal & when is it functional harmony? Modal tunes in jazz practice Chord symbols & modes Tunes with modal & functionalharmony combinations Tunes with modal mixture Modal planing Modal progressions Motivic development Compensitional devices for motivic development Motivic development in modal improvisation Quartal harmony Other scales & colors Scales for jazz improvisation Chord / scale equivalency Modes of the melodic minor scale Relationship between 7th & 4th modes of melodic minor Modes of the major scale with b6 Applications of major scale with b6 in a composition Scales of limited transposition Chord / scale relationship review Hexatonic options Determining the appropriate sound Chord symbol & context Melodic implications & chord symbol Impositions over traditional frameworks Extended tertian structures & triadic superimposition Notation Shorthand Triadic superimpositions formulas & examples Pentatonic applications Pentatonic applications Pentatonic superimposition formulas Pentatonic superimposition formulas Coloring "outside" the lines & beyond Approaches to coloring outside the lines Beyond Analysis: the big picture Expanding harmonic vocabulary Introduction Voice leading Harmonic rhythm Mixture of harmonic colors Types of motion Creating with new vocabulary Possible harmonizations of the Pitch "C" CODA Summary App. 1: Reference for chord / scale relationships App. 2: Elaborations of static harmony App. 3: Endings App. 4: Composing tips App. 5: Theory applications