cena 198,95 zł.
nuty.pl
|
Leavitt William
A Modern Method For Guitar - Volumes 1, 2, 3 Complete
Wspóczesna szkoła na gitarę - czę¶ci 1,2,3 - cało¶ć
A Modern Method For Guitar - Volumes 1, 2, 3 Complete
Trzy czę¶ciowa szkoła gry na gitarze Williama Leavitta, zebrana została w jednej publikacji. Jest ona wykorzystywana do nauki gry na gitarze w prestiżowym Berklee College of Musik. Czę¶ć pierwsza zajmuje się harmoni±, melodyk±, akompaniamentem a także podstawowymi technikami (np. arpeggio). W czę¶ci drugiej wprowadzone zostaj± zagadnienia interwałów, przewrotów akordów, improwizacji, gitary rytmicznej i gry w duecie. Czę¶ć trzecia pogłębia wiedzę zdobyt± wcze¶niej.
Now guitarists can have all three volumes of this classic guitar method in one convenient book! Created by popular demand, this new edition of the method used as the basic text for the renowned Berklee College of Music guitar program is a complete compilation of the original Volumes 1, 2, and 3. Innovative solos, duets and exercises progressively teach melody, harmony and rhythm. Perfect for the serious guitar student and instructor alike.
Lista utworów: Lullaby [Brahms, Johannes] Merrily We Roll Along White Coral Bells Old Macdonald Had A Farm The Cobra [Leavitt, William] The Pebble [Leavitt, William] Two-part Invention (No.13) [Bach, Johann Sebastian] My Old Kentucky Home [Foster, Stephen] Long, Long Ago The Waltz [Leavitt, William] Andante (Symphony No.94 'The Surprise') [Haydn, Franz Joseph] Home On The Range Rock Candy [Leavitt, William] An Ancient Rock [Leavitt, William] Accidentally [Leavitt, William] Another Waltz [Leavitt, William] Big Ben [Leavitt, William] Duet For Dot [Leavitt, William] Duet For Two [Leavitt, William] Frere Jacques Giant Steps [Leavitt, William] America, The Beautiful
Spis tre¶ci: Book 1 Section I Tuning, the staff, clef sign, common note values Notes in the first position Sea to sea (duet) Note and chord review (upper register) One, two, three, four (duet) Rhythm accompaniment Review (lower register) Imitation duet Sharps and flats Here we go again (duet) Rhythm accompaniment (bass notes and chords) Eight notes - counting and picking Etude no. 1 (duet) Rests, tied notes, dotted notes Etude no. 2 (duet) First solo Rhythm accompaniment (chord diagrams explained) Second solo Etude no. 3 (duet) Picking etude no. 1 (Right hand development) Etude Two, two (duet) Key of G Major (first position) Rhythm accompaniment (chord diagrams) Sixteenth notes Duet in G Picking etude no. 2 Another duet in G Key of F Major (first position) Rhythm accompaniment (chord diagrams and grand barre) Duet in F The triplet Waltz in F (solo) Key of of A Minor (first position) Rhythm accompaniment (chord diagrams) Pretty pickin' (duet) Dotted eight and sixteenth notes Key of E minor (scales in first position) Rhythm accompaniment (chord diagrams) Take your pick (duet) Rhythm accompaniment (movable chord forms) Chromatic scale (first position) Speed studies Key of D Minor (scales in first position) Rhythm accompaniment Endurance etude (Picking etude no. 3) Key of B flat (scales in first position) Rhythm accompaniment Duet in B flat Reverse alternate picking study Key of D Major (scale in first position) Duet in D Rhythm accompaniment Key of E flat Major (scale in first position) Movable chord forms Chord simplification and substitution chart Picking - a different technique Dynamic etude no. 4 (duet) Key of A major (first position) Duet in A Duet in E flat Section 2 Position playing Major scales (C Major, fingering type 1, second position) Chord etude no. 1 Etude no. 5 (duet) Reading studies (C Major, fingering type 1, second position) Ballad (duet) Movable chord forms Chord forms (derivative fingerings) Rhythm accompaniment - right hand technique Picking etude no. 4 F Major scale (Fingering type 1A, second position) Chord forms Chord etude no. 2 Another duet in F Reading studies (F Major, fingering type 1A, second position) Play it pretty (duet) Chord forms Triplet study Speed study - fingering type 1 Speed study - fingering type 1A G Major scale (fingering type 2, second position) Dottef eight and sixteenth study Waltz for two (duet) Chord forms Reading studies (G Major, fingering type 2, second position) Blues in G (duet - muffled effect) Chord etude no. 3 Rhythm accompaniment - right hand technique (basic latin beat) Picking etude no. 5 Short and sweet (duet) D Major scale (fingering type 3, second position) Chord forms Melodic rhythm study no. 1 (syncopation) Chord etude no. 4 Staccato, legato Reading studies (D Major, fingering type 3) Dee-oo-ett (duet) Chord forms Speed study - fingering type 2 Speed study - fingering type 3 A major scale (fingering type 4, second position) Chord etude no. 5 Reading studies (A Major, fingering type 4, second position) Tres sharp (duet) Sixteenth note study Chord forms Speed study - fingering type 4, second position Chord forms Second position review Chord forms Quarter note triplets Major scales in third position (B flat, E flat, A flat, D flat) Third position review Chord forms Major scales in first position (A flad, D flat) First position review Major scales in fourth position (G, D, A, E) Chord forms Fourth position review Chord forms Author's notes Index Book 2 Section 1 Four basic major scale fingering patterns (explanation) C Major Scale - Ascending - 5 Positions C Major Scale - Descending - 5 Positions "Getting Up There" (Duet) "Chord Etude No. 6" (Solo) Melodic Rhythm Study No. 2 Triads (3 Note C Chords Maj. Min. Dim. Aug.) F Major Scale - Ascending - 5 Positions F Major Scale - Descending - 5 Positions "Another Waltz for Two" (Duet) Chord Forms and Speed Study Triads (F Chords Maj. Min. Dim. Aug.) Rhythm Guitar - The Right Hand (4/4 and 2 beat) "Chord Etude No. 7" (solo) G Major Scale - Ascending - 5 Positions G Major Scale - Descending - 5 Positions "Sea - See - Si" (Duet) Chord Forms Triads (G Chords) and Finger Stretching Exercises D Major Scale - Ascending - 5 Positions D Major Scale - Descending - 5 Positions "Melodic Rhythm Study No. 3" (Duet) Intervals Triads (D Chords... across and up the fingerboard) A Major Scale - Ascending - 5 Positions A Major Scale - Descending - 5 Positions "Chord Etude No. 8" (Solo) Rhythm Guitar - The Right Hand (Rock Style Ballad) Chord Forms "Tranquility" (Duet) Triads (A Chords...across and up the fingerboard) B Major Scale - Ascending - 5 Positions B Major Scale - Descending - 5 Positions "Waltz in B" (Duet) Melodic Rhythm Study No. 4 (6/8) and Finger Stretching Exercises Triads (B Chords...across and up the fingerboard) Pentatonic Scales Tremolo Study E Major Scale - Asending - 5 Positions E Major Scale - Descending - 5 Positions Chord Forms Major Scale Review - Positions II, III, V Major Scale Construction (Explanation) Triads (Eb Chords...across and up the fingerboard) Theory Diatonic Triads in Major Keys (Explanation) Diatonic Triads - Key of G Maj. Diatonic Triads - Key of F Maj. Diatonic Triads - Key of B Maj. Diatonic Triads - Key of Es Maj. 5th Positions Study" (Duet) Major Triads Exercises (up the fingerboard - all strings) Minor Triads Exercise (up the fingerboard - all strings) Section 2 One Octave Arpeggios - Triads (In G) and "Glissando" (Expl.) Real Melodic (Or Jazz) Minor Scale (Expl.) C Real Melodic Minor - 5 Positions Rhythm Guitar - The Right Hand (Shuffle Rhythm) Speed Study Chord Forms "Melodic Rhythm Study No. 5" (Duet) One Octave Arpeggios - Triads (in D and C) Chord Forms and "Slur" (Expl.) "Trill" Theory - Diatonic 7th Chords in Major Keys (Expl.) Arpeggios - Diatonic Seventh (In G) Arpeggios - Diatonic Seventh (In C) G Real Melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Maj. Triad from the Root "Chord Etude No. 9" (Solo) "The Wanderer" (Duet) Rhythm Guitar - The Right Hand (Waltz) Arpeggios - Diatonic Sevenths (In F) Theory - Chord Scale Relationships - Diatonic Str's (Expl) D Real Melodic Minor - 5 Positions Chord Forms - 3rd in the Bass Two Octave Arpeggios - G Maj. Triad from the 3rd Two Octave Arpeggios - F Maj. Triad from the 5th Rhythm Guitar - The right hand (Jazz Waltz) "Interved Mordent" and "Mordent" (Expl.) Arpeggios - Diatonic Seventh (In B) A Real melodic Minor - 5 Positions Chord Forms Two Octave Arpeggios - C Minor Triad from the Root "Appogiatura" and "Turn" or "Grupeto" (Expl.) "Melodic Rhythm Study" (Duet) Rhythm Guitar - The Right Hand (Cha Cha and Beguine) Arpeggios - Diatonic Sevenths (In Es) Theory - Chord Scale Relationships (Non-Diat. Min. 7 and Maj.) 7th position study" (Duet) "Solo in G" B Real Melodic Minor - 5 Positions Chord Forms - 7th in the Bass "Chord Etude No. 11" (Solo) Two Octave Arpeggios - G Minor Triad from the 3rd Two Octave Arpeggios - F Minor Triad from the 5th Key Signatures (Explanation) Theory - Chord to chord motion (A Brief Discussion) Chromatic Scale Es Real Melodic Minor - 5 Positions Chord Forms and "Chord Etude No. 12" (Solo) Speed Study Two Octave Arpeggios - C Diminished Triad from the Root G Dim. Triad from the 3rd, D Dim. Triad from the Root "Melodic Rhythm Study No. 7" (Duet) Whole Tone Scales Rhythm Guitar - The Right Hand (Bossa Nova) Two Octave Arpeggios - B, Fis and D Augmented Triads Chord Scale Relationships (Theory) - Non - Diatonic Minor 6th and (unaletered) Dom.7 chords "Solo in D" Index Book 3 Evolution of Twelve Major Scale Fingering Patterns A Refined Definition of Position Speed Study Solo in Bb Rhythm Guitar – The right hanad (rhumba) Explanation of voices in chords Triad Stuides Adjacent Strings Major Scales – Position II Principal Real Melodic Minor Scales – Position II Triad studies – chords in G major Arpegios – Three note chords -major triads Arpegios – Three note chords -minor triads About chord symbols Reference chart for major sscale gingering types Major scales – poisition III Melodic rhythm study No. 8 (duet) About Practising Triad Studies – chords in F Major Technical study About chord construction Major scales – position IV Principal Real Melodic Minor Scales – Position IV Chord construction – four part harmony Arpeggios Rhythm Guitar – The right hanad (Tango, Merengue) C major scale (12 position) Natural minor scale Modes – A brief discussion Harmonic minor scales A harmonic minor (nine position) A minor etude (solo) Melodization of triads Recognition of melodic degrees- Altered 5 and #4 About chord voicind Arpeggios – four note F chords Arpeggios – four note G chords Chord scale relationships Major scales position V Principal Real Melodic Minor Scales – Position V Chord construction – three note voicings Melodization of tonic major triads Melodization of tonic and subdominant minor chords Diminished scale in position Chord construction Recognition of melodic degrees- Dominant 7 chords Speed study Arpeggios – Four note Bb chords Arpeggios – Four note D chords Melodic rythm study no 9 (duet) Rhythm Guitar – The right hanad (Mambo, bolero, conga) Legato Staccato F Major scale D harmonic minor (nine positions) Etude in D minor (solo) Melodic Embellishment – The Appogiatura Rhythm Guitar – The right hanad (5/4 swing) About altered chords and chord degrees Arpeggios – four note Eb Chords Arpeggios – four note A chords Chord construction Melodization of I Minor chords with harmonic minor scale Arpeggio studies Melodic rhytmic study no. 10 (duet) Major scales – Position VII Chords (three notes) melodization of diminished triads Chords (three notes) melodization of augmented triads Arpeggios – four note Db chords Arpeggios – Four note B chords Rhythm Guitar – The right hanad (Samba) Polka -dot (polka duet) Major Scales – Position VIII Chords (three notes) melodization of tonic major chords Melodization of minor 7 chords as Vim7 Subdominant major chords Minor 7 chords Arpeggios – Four note F# chords Arpeggios – Four note Gb chords Arpeggios – Four note C# chords Chords (Three note voicings) Dominant 7 chords – open voicings – all inversions B major scale (Twelve positions) G harmonic minr (Nine positions) Etude in G Minor (solo) Arpeggios – Diminished chords (spelling most used) Arpeggios – Dominant 7(b5) Theory: Diatonic 7 Chords – Harmonic Minor (Including Diatonic Substitutions) Arpeggio and scale study Cords Melodization of subdominant minor 6 chords Major scales – position X Principal Real Melodic Minor Scales – Position X Chords (Three note voicings) Major 6 and 7 chords – close and open voicings Chord construction – five part harmony Five note arpeggios Daydreams duet Five note arpeggios D major scale B harmonic minor B minor etude (solo_ Chords (Three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass About chord progression (cycle 5) Theory: Interchangeable chord structure Rhythm Guitar – The right hanad (Joropo, Nanigo) Arpeggio study – seventhchords Chords (Three note voicings) melodization of Minor 7 chords as IIIm7 Five note arpeggios Chords (Three note voicings) minor 7 and minor 6 chords – close and open voicings Iim7-V7I chord study Chord-scale relationships – special alterations on dominant 7 chords Pretty please (duet) Five-note arpeggios Harmonization of a melody – from a lead sheet with chords indicated Eb Major Scale (Twleve positions) C Harmonic minor (nine positions) Etude in C minor (solo) Chord scale relationships – major chords, minor 7 chords Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass Five note arpeggios Chords (three note voicings) Dominant 7 chords chords study with b5 (chromatic approach) in the bass Rhythm Guitar – The right hanad (Paso Doble) Chord study – Minor 7 with 5b in the bass Chord spelling – five note arpeggios – Minor (maj7/9) and Dominant 7 (b5, b9) chords A major scale (Twelve positions) F# Harmonic minor F# minor etude Chord spelling – five note arpeggios – Dominant 7 (b9) sus4 and dominant 9(b5) chords Chord (three notes) study in F major and study in F harmonic minor Chord spelling – five note arpeggios – Dominant 7+9 sus4 and dominant 9(b5) chords Additional fingerings for minor scales Chord-scale relationship Chords-preparation of four-part open voicings – adding the 5th degree Chords-preparation of four-part open voicings – adding the root Chord spelling – five note arpeggios – minor 9(b5) chords About improvisation „It's Late” (duet) Chords-preparation of four part open voicings – adding the 3rd degree Chords-preparation of four part open voicings – adding the 7rd degree Scale – chord relationship – Major, Harmonic minor, Real minor, Whole tone and diminished scales as related to chords
|